Archive for January, 2007

One Season Wonders: Firefly (2002)

What can I say about Firefly that hasn’t already been said? It isn’t just a TV show, it’s a phenomenon. As someone who talked a friend into knitting a Jayne cap, I’m familiar with the phenomenon.

Firefly

So I’ll talk about what first caught my attention: the language. The first time I heard a string of Chinese seamlessly interwoven into a line of backwoods American dialect, I was fascinated, and I listened carefully. Just on the basis of the language, I could almost figure out the whole world, the whole culture that serves as Firefly’s backdrop. That is an amazing feat of world building. In just a few lines of dialog I knew that this was a frontier society that had developed out of a merging of American and Chinese cultures. The actors handled that mash of language so well that I believed in the world, utterly.

Firefly had good world building in spades. This was a show that paid attention to the details, and that’s rare. I love it when a show makes me pay attention to the details. I wish more of them did.

I’ve just started playing the Serenity RPG with a group of friends. The world is too good to just give up on, so we’re going to see how well it does in a role-playing campaign. We have a good ship. We have a Captain, a Mechanic, a Doctor, a Companion. A couple of crazy mercs. A crazy…whatever (haven’t quite figured out what she is yet). And yeah, it feels a bit like coming home.

This world’ll keep flying for a good long while, I reckon. Love’ll keep a science fiction franchise in the air when she oughta fall down…

Dresden: Week 2

Voice-over is often considered to be a weakness in television, but for The Dresden Files–perhaps because it came to us from book form–it is definitely a strength. This week Dresden is informing us that, while he can talk to ghosts, he’d really rather not.

So now you know what Harry had to do this week.

This week gave us a very clever plot, in my opinion, without the usual tip-offs five minutes in, or any lame stupidity-driven activities. It was complex, without being convoluted or confusing.
The theme was ancient Egyptian, showing that the writers are willing to draw from a variety of mythos.

Bob the Ghost and Harry continue to have witty banter without slipping into the silly.
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As your image this week, I have provided a drawing of Dresden riding a dinosaur. If we’re lucky, our gritty detective will appear in a Heroes crossover episode!

Pan’s Labyrinth

Pan's Labyrinth

It’s been a long time since I’ve had this many people say to me “Have you seen this movie? You’ve got to see this movie.” (Usually I’m the one telling everyone else to go see a certain movie. Like now: go see Happy Feet. Really.) So I went to see it.

This is another one of those films that’s hard to talk about without giving too much away. It’s about a girl living in a brutal time and place in history. With that as a backdrop, her own story unfolds. She builds her own world. It’s just as brutal, but at least it’s hers. Inevitably, though, the two intersect.

It reminded me at various points of lots of things, in a good way — drawing from source archetypes rather than copying: Jim Henson’s Labyrinth (can someone point me to the original archetype of a girl saving her baby brother from the creature at the center of a labyrinth?), Neil Gaiman’s Coraline, the 1997 Italian film Life is Beautiful, and every fairy tale the Brothers Grimm ever laid a pen to.

The thing to keep in mind with all of these kinds of stories, and Pan’s Labyrinth, is how they demonstrate that “real” and “true” are sometimes two different things. Was anything that happened to Ofelia real? That’s not the right question. Was it true? Absolutely.

On Being a Girl Geek

I think one of the reasons I liked A-Ha’s video for “Take On Me” so much — besides the fact that it’s one of the greatest music videos of all time — is because it showed a girl reading a comic book (and getting sucked into the comic book — how cool is that?). (via YouTube)

I’m old enough to remember getting funny looks when I went to the local comic store. Girls didn’t read comic books. Girls didn’t go to comic stores. That was the stereotype, that was the message. I kept doing it anyway. I needed my “G.I. Joe” fix.

Happily, I don’t get funny looks anymore. In fact, there’s likely to be a girl working behind the counter.

I love progress.

Heroes: What’s to Come

stana.jpgSo, a ton of stuff happened in the first episode back, but it felt a little forced to me. It’s as if the acceleration of the plot squeezed out time for the good acting we’ve seen up until this point.

Jessica/Nikki ended up in prison, and now the evil twin is playing the crazy card to try to get them out. Hiro tried to steal his sword of the future from the museum, only to find out it was a replica, and the real one is owned by…wait for it…Linderman! Hiro hooks up with Nathan “flying man!” Petrelli at the end of this episode, and of course Nathan and Linderman are closely tied. Peter Petrelli wakes up after several disturbing dreams about blowing up, and disappears from his hospital room. Claire–who did NOT get mind-wiped by the Haitian–is re-befriending Zach, just so she doesn’t have to be all alone.
Matt Parker and the FBI agent raid Primatech paper , only to find it completely innocent. Sure it is. Pay no attention to the eerie psychic standing in the corner.

And that’s just what’s happening on screen! In the online graphic novel, there’s more turmoil brewing. They’ve built up Hana Gitelman (to be played by Stana Katic, pictured above), who will never go by that name again after using her abilities to escape a government compound of some sort. She went on a mission for “the man in the horn-rimmed glasses” (you know him better as Claire’s father) after being trained into a superweapon. She is physically at the peak of human potential, and she can access wireless signals–internet, email, cell phones–with her mind.

And there’s plenty more to come. They’ve still promised us Hiro with the sword, Hiro vs. the dinosaur, and Hiro’s father (played by George Takei!). Keep watching, and keep reading WarpSection!

Heroes: first day back

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I’ve been waiting to post about the show until 1) I could digest it all, and 2) I was hired for the job at Primatech paper. Sadly, neither has happened.

The observant Heroes fan has noticed by now the fruition of the hints and glimpses of the “business” where Claire’s father works: Primatech Paper. Well, in the most recent episode, they actually provided a phone number! Here’s a little lesson for you, WHENEVER they provide a real phone number (not a 555-), it’s because marketing has set up something for you to hear. The first time I noticed this, it was in Supernatural, although it certainly may have been done earlier.
Anyway, you call the number, and it asks for an access code. I couldn’t figure out any kind of code, and none (as far as I could tell) was given, so I gave in and texted “Apply” to the text address provided. I immediately got an email back asking me to fill out an “application.”
The application was full of moral questions like, “What would you do if you saw someone stealing food to feed her family? Arrest her? Ignore it? Pay for the food yourself?” It was pretty clear, in each instance, what the “right” answer was. But, because I’m an honest guy, I answered the questions for real.
Unfortunately, 3 days later, I still haven’t heard back from Primatech. I guess I don’t have the right stuff.
That’s ok, I have an application in with Dunder-Mifflen, and I hear they’ve recently been undergoing a lot of restructuring. I’m keeping my fingers crossed!

Dresden Files: Another Perspective

When I was a kid, my father told me there was no such thing as monsters; my nightmares were just figments of my imagination. As I got older, I had to wonder, was he lying to me… or just wrong.”

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Three shows sprang to mind when I watched the first episode of Dresden Files. It had the gritty detective of Eureka, the magical mystery of Charmed, and the dark supernatural feel of, well, Supernatural. Fortunately, it didn’t have the WB-required brooding teens or quite the level of silliness of Eureka. Don’t get me wrong, I liked all those shows, but this one, in my opinion, is a cut above. It’s the first good attempt at dark and magical since Angel.
It has humor, too, but it comes in the form of Harry Dresden’s dry, self-interested comments to the supporting cast. Blackthorne’s (Dresden) acting is strong, and while we haven’t seen much of the supporting cast yet, it seems promising.

The first episode has set up a darkly wonderful world with supernatural agents who aren’t just good and evil, but self-interested, rules-bound, and who have personalities rather than simple alignments. I have high hopes for the series.

The Dresden Files

A few thoughts on the new Sci Fi Channel series based on the series of novels by Jim Butcher:

I wasn’t too sure about it at first. The plot seemed iffy — any story dependent upon our sympathy for a small child makes me suspicious. But one scene won me over completely: a circle of creepy Raven men surrounds the young boy-in-peril. One of them offers him a can of whipped cream, for his banana split. Because even if you’re a supernatural creature, the best way to keep the kid you’re protecting happy is to give him ice cream. It was so incongruous and wacky, I loved it. And those nictitating membranes? Very, very cool.

I like Harry, I liked the way the episode revealed his childhood in small slices, building up a mystery and leaving me wanting more. So yes, I’ll be watching again. But I do hope the plots get a little more interesting. It would also drive me a little less crazy if they used some actual folklore instead of just making stuff up. But that’s just me.

Battlestar Galactica Recap

Standard Spoiler Warning Applies. You know the drill.

BSG logo

We’re halfway through the third season, about to head into season 3.5, so I thought I’d do a broad recap. Remind us where we are, and where we’ve been.

The show spent something like a season (from the midpoint of season two until just a few episodes ago) dealing with internal issues. The Colonial survivors struggled to maintain a stable government, with varying results. The arrival of Pegasus introduced a whole new set of internal problems and conflicts. And finally, the settlement, occupation, and revolt on New Caprica had the show dealing with issues of government, humanity, freedom, and sacrifice on an intense level. All of these plotlines have looked inward, to the nature of humanity and human communities. We’re constantly left asking ourselves: can humanity even survive? Can they coexist with the Cylons in any meaningful way? Do they, or the Cylons, even want to?

But now, all parties are focused on the search for Earth. It’s like after all that internal trauma, both the Colonial survivors and the Cylons woke up and asked, “What’s the point of all this? Are we just here to continually beat the crap out of each other, or do our lives have a higher purpose?” Both sides have decided that their continued existence depends on finding the lost thirteenth colony, and that’s where the plot seems to be going. Last season, Starbuck brought back the Arrow of Apollo, which unlocked the star map in the Tomb of Athena on Kobol. Now, Colonial forces are in search of the Eye of Jupiter. (I can’t help but think of the great red storm that marks the atmosphere of our planet Jupiter.) However, so are the Cylons.

Thoughts and predictions: I want to say that Chief Tyrol will have an epiphany that will allow him to find the Eye of Jupiter before Admiral Adama is forced to blow up the temple to keep it from the Cylons. But that’s the easy, standard plot solution, and BSG never takes the easy way out. So I’m going to predict that the temple will be destroyed before any meaningful clues are found. Starbuck will be saved, because heck, she’s Starbuck. Will she and Apollo continue with their relationship? Who knows. I rather hope not, because they’re both behaving like asses. I don’t think the Cylons will continue to try to eradicate humanity, because they need them to help find earth. And they all will find Earth, eventually. Here’s a question: would Helo and Sharon defect to the Cylons in order to be with their child?

I’ve been re-watching the first season on DVD, and it’s been trippy and nostalgia inducing. I don’t have a good memory for details, so it’s a shock to see Crashdown manning a Raptor with Boomer, and Jammer working the deck with Chief and Cally, knowing what happens to them later on. That’s one of the things I admire about BSG: the background and secondary characters are just as strong and well-developed as the primary characters and can play pivotal roles. It’s also a bit hard watching my favorite characters go through what they believe to be hell, knowing how much worse it’s going to get for them.

Some of the characters have come so far and changed so much. I’d forgotten what a hoot it is watching Baltar try to figure out what this Cylon creature is doing in his head — especially when he doesn’t always remember that no one else can see her. Now, though, Baltar almost seems resigned to his fate as a cowardly, narcissistic tool of powers he can’t identify. He seems almost to be embracing the role rather than worried about his image, as he was early on. He’s grown comfortable with the idea that his fate is not his own. And no wonder, after all his attempts to determine his own fate turned to dust in his hands. But this is BSG, and he may surprise us all in the end.

Need to catch up? Try the Battlestar Galactica Wiki.

From the “It Will Be Cool if They Can Pull It Off” Department

Couple of items released recently:

HBO has picked up George R. R. Martin’s epic Song of Fire and Ice series. The plan is to do each book as a full season of a TV series. See the press release in Variety for more info.

The SciFi Channel is developing a mini-series adaptation of Neal Stephenson’s award-winning novel The Diamond Age, with George Clooney attached as an executive producer. I love Clooney’s work, and this is my favorite of Stephenson’s novels, so if this works out, I’ll be a happy camper.